In More, Jon Rua and a company of electric dancers move their way through a blackout with playful and radiant joy.

In an underground abandoned basketball court during the pandemic, some of Broadways best dancers find a little bit of joy, and a whole lot of sweat.

Brandon Kazen-Maddox signs Nina Simone’s 1964 anthem “Don’t Let Me Be Misunderstood,” covered in the paint of DeVIA Artist Nancy Rourke. Created by Up Until Now Collective.

In Anahata, Arianne Meneses moves her way through a physical contemplation of life, love and self discovery in the golden light of the early evening sun.

A ragtag team of kitchen companions unite to help their friend find it's missing lid.

Kaitlyn Frank and Krystyna Resavy capture the essence of playful competition on the baseball diamond in Swing.

In That's It, James Kinney creates a sexy celebration of life through dance led by the show stopping Jessica Lee Goldyn. Each movement is imbued with a wink, daring the viewer to get up and join in.

Love More examines the sorrow and isolation as well as the joy and relief of love through the physical exploration of tension and release.